True (Michael Mayer Remix)
30s preview
- Key
- 9A · E minor
- BPM
- 125
- Open Key
- 2m
- Energy
- 66/100
- Pop
- 0/100
- Length
- 6:44
- Released
- 2018
- Album
- True (feat. Dems) [The Remixes]
- Genre
- Progressive House
- Loudness
- -12.3 dB
- Dynamics
- 13.8 dB
- ISRC
- GB5EM1801780
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- True (Garden City Movement remix)remix11B · 124
- True (Garden City Movement Remix)remix11B · 124
- True (Theo Kottis Remix)remix9B · 122
- Trueoriginal10B · 122
- True - Instrumentaloriginal10A · 122
- True (Radio Edit)version10A · 122
Against the original (10B at 122 BPM), this version runs 3 BPM faster and moves the key from 10B to 9A.
True (Michael Mayer Remix) is a club-tempo progressive house track in E minor (9A) at 125 BPM. The feel is dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 2018 production that still circulates in sets. More underground than 99% of Sasha's catalogue. In a set it works best as a mid-set roller.
- Low end:
- more bass-heavy than 78% of Sasha's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 35%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 4%
- High
- 2.5-11 kHz
FAQ
What key is True (Michael Mayer Remix) in?
True (Michael Mayer Remix) by Sasha is in E minor, or 9A on the Camelot wheel.
What BPM is True (Michael Mayer Remix)?
True (Michael Mayer Remix) runs at 125 BPM, a club-tempo track.
What mixes well with True (Michael Mayer Remix)?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is True (Michael Mayer Remix) good for peak time?
With energy 66 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 125 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More progressive house
More from Sasha
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
