When The Birds Go In The Wrong Way by Worakls cover art

When The Birds Go In The Wrong Way

Worakls

30s preview

Key
8A · A minor
BPM
125
Open Key
1m
Energy
67/100
Pop
29/100
Length
6:55
Released
2010
Genre
Tech House
Loudness
-6.3 dB
Dynamics
10.8 dB
ISRC
SEWKJ1100701

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

When The Birds Go In The Wrong Way runs 125 BPM in A minor (8A), a club-tempo tech house record. It reads as punchy, neutral in mood. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2010 production that still circulates in sets. Groovier than 98% of Worakls's catalogue. For programming, treat it as a mid-set roller.

Brightness:
brighter than 84% of Worakls's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy67
Mood35Balanced
Groove85
Acoustic12
Instrumental67
Live9
Speech10

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
39%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
18%
Upper-mid
570 Hz-2.5 kHz
12%
High
2.5-11 kHz

FAQ

What key is When The Birds Go In The Wrong Way in?

When The Birds Go In The Wrong Way by Worakls is in A minor, or 8A on the Camelot wheel.

What BPM is When The Birds Go In The Wrong Way?

When The Birds Go In The Wrong Way runs at 125 BPM, a club-tempo track.

What mixes well with When The Birds Go In The Wrong Way?

From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.

Is When The Birds Go In The Wrong Way good for peak time?

With energy 67 out of 100 at 125 BPM, it works best as a mid-set roller.

Mixes harmonically

8A7A · 9A · 8B

From 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.

Every move from 8A

9ASimple Mix Upper
7ASimple Mix Downer
8BTonal Shift·
9BDiagonal Mix Upper
7BDiagonal Mix Downer
5BCompatible Tone·
10AHigh Energy Boost▲▲▲
6AHigh Energy Drain▼▼▼
11AParallel Key Upper▲▲
5AParallel Key Downer▼▼
3ATritone Jump▲▲
12ARelated Keyrisky

How to mix it

In 8A at 125 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

More tech house

More from Worakls

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track