True (Radio Edit)
- BPM
- 122
- Open Key
- 3m
- Energy
- 61/100
- Pop
- 0/100
- Length
- 4:28
- Released
- 2017
- Album
- True (feat. Dems)
- Genre
- Progressive House
- Loudness
- -11.6 dB
- ISRC
- GB5EM1701758
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- True (Garden City Movement remix)remix11B · 124
- True (Garden City Movement Remix)remix11B · 124
- True (Michael Mayer Remix)remix9A · 125
- True (Theo Kottis Remix)remix9B · 122
- Trueoriginal10B · 122
- True - Instrumentaloriginal10A · 122
Against the original (10B at 122 BPM), this version holds the same tempo and moves the key from 10B to 10A.
True (Radio Edit) runs 122 BPM in B minor (10A), a club-tempo progressive house record. Tonally it lands dark and driving. The master keeps real dynamic headroom. A 2017 production that still circulates in sets. More underground than 99% of Sasha's catalogue. For programming, treat it as a mid-set roller.
- Tempo:
- slower than 87% of Sasha's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is True (Radio Edit) in?
True (Radio Edit) by Sasha is in B minor, or 10A on the Camelot wheel.
What BPM is True (Radio Edit)?
True (Radio Edit) runs at 122 BPM, a club-tempo track.
What mixes well with True (Radio Edit)?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is True (Radio Edit) good for peak time?
With energy 61 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 122 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More progressive house
More from Sasha
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
