Losing Myself
- BPM
- 125
- Open Key
- 8d
- Energy
- 48/100
- Pop
- 4/100
- Length
- 5:27
- Released
- 2015
- Genre
- Tech House
- Loudness
- -8.3 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Losing Myselforiginal3B · 125
Losing Myself runs 125 BPM in D♭ major (3B), a club-tempo tech house record. The groove is strong and floor-ready. The mix is almost entirely instrumental. A 2015 production that still circulates in sets. Groovier than 99% of Sascha Braemer's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 83% of Sascha Braemer's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Losing Myself in?
Losing Myself by Sascha Braemer is in D♭ major, or 3B on the Camelot wheel.
What BPM is Losing Myself?
Losing Myself runs at 125 BPM, a club-tempo track.
What mixes well with Losing Myself?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Losing Myself good for peak time?
With energy 48 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 125 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More tech house
More from Sascha Braemer
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
