The Moon and the Sun by Deborah de Luca cover art

The Moon and the Sun

Deborah de Luca

30s preview

Key
3A · B♭ minor
BPM
125
Open Key
8m
Energy
50/100
Pop
21/100
Length
7:50
Released
2018
Genre
Techno
Loudness
-9.8 dB
Dynamics
8.8 dB
ISRC
DEUD41807827

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 125 BPM in B♭ minor (3A), The Moon and the Sun is a club-tempo techno production. The feel is dark and steady. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2018 production that still circulates in sets. Groovier than 99% of Deborah de Luca's catalogue.

Brightness:
darker than 99% of Deborah de Luca's catalogue
Energy:
calmer than 96% of Deborah de Luca's catalogue
Tempo:
slower than 88% of Deborah de Luca's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy50
Mood3Dark
Groove92
Acoustic1
Instrumental89
Live5
Speech8
darkpartyvoice

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
43%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
17%
Upper-mid
570 Hz-2.5 kHz
11%
High
2.5-11 kHz

FAQ

What key is The Moon and the Sun in?

The Moon and the Sun by Deborah de Luca is in B♭ minor, or 3A on the Camelot wheel.

What BPM is The Moon and the Sun?

The Moon and the Sun runs at 125 BPM, a club-tempo track.

What mixes well with The Moon and the Sun?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is The Moon and the Sun good for peak time?

With energy 50 out of 100 at 125 BPM, it works best as a mid-set roller.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#Track

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 125 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

More techno

More from Deborah de Luca

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track