Hilde (feat. Jan Driver)
30s preview
- BPM
- 121
- Open Key
- 3m
- Energy
- 77/100
- Pop
- 0/100
- Length
- 5:06
- Released
- 2015
- Album
- No Home
- Genre
- House
- Label
- Kontor Records
- Loudness
- -12.0 dB
- Dynamics
- 8.1 dB
- ISRC
- DEN061500223
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Hildeoriginal10A · 121
Hilde (feat. Jan Driver) is a club-tempo house track in B minor (10A) at 121 BPM. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2015 production that still circulates in sets. More underground than 99% of Sascha Braemer's catalogue. For programming, treat it as a floor-filler.
- Energy:
- hotter than 84% of Sascha Braemer's catalogue
- Tempo:
- slower than 80% of Sascha Braemer's catalogue
- Low end:
- more treble-tilted than 75% of Sascha Braemer's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Hilde (feat. Jan Driver) in?
Hilde (feat. Jan Driver) by Sascha Braemer is in B minor, or 10A on the Camelot wheel.
What BPM is Hilde (feat. Jan Driver)?
Hilde (feat. Jan Driver) runs at 121 BPM, a club-tempo track.
What mixes well with Hilde (feat. Jan Driver)?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Hilde (feat. Jan Driver) good for peak time?
With energy 77 out of 100 at 121 BPM, it works best as a floor-filler.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 121 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 114-128 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 121 — beatmatch without a big tempo pull.
More house
More from Sascha Braemer
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 121 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
