Where Is The One
- BPM
- 121
- Open Key
- 9d
- Energy
- 75/100
- Pop
- 0/100
- Length
- 6:09
- Released
- 2016
- Genre
- Progressive House
- Loudness
- -9.9 dB
- ISRC
- US83Z1657538
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Where Is The One: club-tempo progressive house, A♭ major (4B), 121 BPM. A 2016 production that still circulates in sets. Brighter than 99% of Marsh's catalogue.
- Reach:
- more underground than 99% of Marsh's catalogue
- Groove:
- groovier than 93% of Marsh's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Where Is The One in?
Where Is The One by Marsh is in A♭ major, or 4B on the Camelot wheel.
What BPM is Where Is The One?
Where Is The One runs at 121 BPM, a club-tempo track.
What mixes well with Where Is The One?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Where Is The One good for peak time?
With energy 75 out of 100 at 121 BPM, it works best as a floor-filler.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 121 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 114-128 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 121 — beatmatch without a big tempo pull.
More progressive house
More from Marsh
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 121 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.