Together Alone by Sam Paganini cover art

Together Alone

Sam Paganini

30s preview

Key
7B · F major
BPM
113
Open Key
12d
Energy
34/100
Pop
3/100
Length
7:43
Released
2020
Album
Reflections
Genre
Downtempo
Label
JAM
Loudness
-16.2 dB
Dynamics
17.0 dB
ISRC
ITN3C2000012

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Together Alone is a mid-tempo downtempo track in F major (7B) at 113 BPM. It reads as brooding and low-slung. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 17 dB). Calmer than 97% of Sam Paganini's catalogue. For programming, treat it as a warm-up or breakdown cut.

Low end:
more treble-tilted than 97% of Sam Paganini's catalogue
Tempo:
slower than 93% of Sam Paganini's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy34
Mood9Dark
Groove64
Acoustic90
Instrumental37
Live9
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
18%
Low
30-130 Hz
35%
Low-mid
130-570 Hz
31%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is Together Alone in?

Together Alone by Sam Paganini is in F major, or 7B on the Camelot wheel.

What BPM is Together Alone?

Together Alone runs at 113 BPM, a mid-tempo track.

What mixes well with Together Alone?

From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.

Is Together Alone good for peak time?

With energy 34 out of 100 at 113 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

7B6B · 8B · 7A

From 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.

#Track

Every move from 7B

8BSimple Mix Upper
6BSimple Mix Downer
7ATonal Shift·
8ADiagonal Mix Upper
6ADiagonal Mix Downer
10ACompatible Tone·
9BHigh Energy Boost▲▲▲
5BHigh Energy Drain▼▼▼
10BParallel Key Upper▲▲
4BParallel Key Downer▼▼
2BTritone Jump▲▲
11BRelated Keyrisky

How to mix it

In 7B at 113 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.

Pitch range at ±6%: 106-120 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 113 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 113 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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