Dance In Paradise - Midnight Radio Edit
30s preview
- BPM
- 125
- Open Key
- 3d
- Energy
- 92/100
- Pop
- 0/100
- Length
- 3:00
- Released
- 1993
- Album
- Dance In Paradise (Midnight Mix)
- Genre
- Techno
- Loudness
- -8.4 dB
- Dynamics
- 13.9 dB
- ISRC
- ITLQR2417205
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Dance In Paradise - Paradise Radio Editversion8B · 125
- Dance In Paradise - Paradise Mixoriginal7A · 125
- Dance In Paradise - Paradise Suiteoriginal7A · 125
- Dance In Paradise - Part Twooriginal8A · 125
- Dance In Paradise - Midnight Mixoriginal10B · 125
Against the original (7A at 125 BPM), this version holds the same tempo and moves the key from 7A to 10B.
At 125 BPM in D major (10B), Dance In Paradise - Midnight Radio Edit is a club-tempo techno production. The feel is punchy, neutral in mood. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). A 1993 production that still circulates in sets. More underground than 99% of Sam Paganini's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- slower than 85% of Sam Paganini's catalogue
- Energy:
- hotter than 81% of Sam Paganini's catalogue
- Brightness:
- brighter than 75% of Sam Paganini's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Dance In Paradise - Midnight Radio Edit in?
Dance In Paradise - Midnight Radio Edit by Sam Paganini is in D major, or 10B on the Camelot wheel.
What BPM is Dance In Paradise - Midnight Radio Edit?
Dance In Paradise - Midnight Radio Edit runs at 125 BPM, a club-tempo track.
What mixes well with Dance In Paradise - Midnight Radio Edit?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Dance In Paradise - Midnight Radio Edit good for peak time?
With energy 92 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 125 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 92/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More techno
More from Sam Paganini
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
