On and On
- BPM
- 180
- Half-time
- 90
- Open Key
- 5m
- Energy
- 95/100
- Pop
- 0/100
- Length
- 6:08
- Released
- 2004
- Genre
- Drum N Bass
- Loudness
- -3.4 dB
- ISRC
- GBBYF0450013
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A drum n bass cut, On and On sits in D♭ minor (12A) at 180 BPM. It is vocal-led. The master is loud and heavily compressed. A 2004 production that still circulates in sets. Faster than 99% of Roni Size's catalogue. In a set it works best as an opener or closing-set piece.
- Reach:
- more underground than 99% of Roni Size's catalogue
- Brightness:
- darker than 81% of Roni Size's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is On and On in?
On and On by Roni Size is in D♭ minor, or 12A on the Camelot wheel.
What BPM is On and On?
On and On runs at 180 BPM.
What mixes well with On and On?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is On and On good for peak time?
With energy 95 out of 100 at 180 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 180 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 169-191 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 180 — beatmatch without a big tempo pull.
More drum n bass
More from Roni Size
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 180 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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