Shake-Shake
30s preview
- Key
- 9A · E minor
- BPM
- 123
- Open Key
- 2m
- Energy
- 79/100
- Pop
- 1/100
- Length
- 7:23
- Released
- 1995
- Genre
- House
- Loudness
- -10.2 dB
- Dynamics
- 14.3 dB
- ISRC
- USSR39500904
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo house cut, Shake-Shake sits in E minor (9A) at 123 BPM. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 1995 production that still circulates in sets. Slower than 88% of Roger Sanchez's catalogue. For programming, treat it as a floor-filler.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Shake-Shake in?
Shake-Shake by Roger Sanchez is in E minor, or 9A on the Camelot wheel.
What BPM is Shake-Shake?
Shake-Shake runs at 123 BPM, a club-tempo track.
What mixes well with Shake-Shake?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Shake-Shake good for peak time?
With energy 79 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 123 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More house
More from Roger Sanchez
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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