
Pick It Up - Kerri's Original Club
30s preview
- BPM
- 123
- Open Key
- 3d
- Energy
- 78/100
- Pop
- 0/100
- Length
- 6:18
- Released
- 1997
- Album
- Mix The Vibe: Kaoz On King Street
- Genre
- Deep House
- Loudness
- -5.8 dB
- Dynamics
- 19.3 dB
- ISRC
- USA670400655
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Pick It Uporiginal9B · 124
A club-tempo deep house cut, Pick It Up - Kerri's Original Club sits in D major (10B) at 123 BPM. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. It is vocal-led. The master keeps unusual dynamic range for club music (crest 19 dB). A 1997 production that still circulates in sets. More underground than 99% of Kerri Chandler's catalogue. In a set it works best as a floor-filler.
- Low end:
- more treble-tilted than 98% of Kerri Chandler's catalogue
- Tempo:
- slower than 84% of Kerri Chandler's catalogue
- Brightness:
- darker than 80% of Kerri Chandler's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 23%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 22%
- High
- 2.5-11 kHz
FAQ
What key is Pick It Up - Kerri's Original Club in?
Pick It Up - Kerri's Original Club by Kerri Chandler is in D major, or 10B on the Camelot wheel.
What BPM is Pick It Up - Kerri's Original Club?
Pick It Up - Kerri's Original Club runs at 123 BPM, a club-tempo track.
What mixes well with Pick It Up - Kerri's Original Club?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Pick It Up - Kerri's Original Club good for peak time?
With energy 78 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 123 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More deep house
More from Kerri Chandler
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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