Again - René Amesz Remix
- BPM
- 125
- Open Key
- 3d
- Energy
- 70/100
- Pop
- 0/100
- Length
- 7:45
- Released
- 2006
- Album
- Again
- Genre
- House
- Loudness
- -10.2 dB
- ISRC
- NLQ200700126
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Again - Editversion10B · 126
- Again - DJ Dep Remixremix6A · 127
- Again - DJ Dep Instrumental Remixremix6A · 127
- Againoriginal10B · 126
- Again - Accapellaoriginal5A · 175
- Again - DaBo Remixremix11B · 127
Against the original (10B at 126 BPM), this version runs 1 BPM slower in the same key.
Again - René Amesz Remix: club-tempo house, D major (10B), 125 BPM. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2006 production that still circulates in sets. More underground than 99% of Roger Sanchez's catalogue. In a set it works best as a floor-filler.
- Energy:
- calmer than 77% of Roger Sanchez's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Again - René Amesz Remix in?
Again - René Amesz Remix by Roger Sanchez is in D major, or 10B on the Camelot wheel.
What BPM is Again - René Amesz Remix?
Again - René Amesz Remix runs at 125 BPM, a club-tempo track.
What mixes well with Again - René Amesz Remix?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Again - René Amesz Remix good for peak time?
With energy 70 out of 100 at 125 BPM, it works best as a floor-filler.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 125 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
![Mumi Wango (Instrumental Mix) [feat. Soulflow] by Black Motion cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/ab97a876fbc95e537f0f.webp){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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