96:02 04:00
- Key
- 9B · G major
- BPM
- 118
- Open Key
- 2d
- Energy
- 23/100
- Pop
- 4/100
- Length
- 8:19
- Released
- 1996
- Album
- Concept 1 96:12
- Genre
- Minimal
- Label
- From Our Minds
- Loudness
- -16.0 dB
- ISRC
- USA2P2045447
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
96:02 04:00 runs 118 BPM in G major (9B), a mid-tempo minimal record. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 1996 production that still circulates in sets. Groovier than 96% of Richie Hawtin's catalogue. In a set it works best as a warm-up or breakdown cut.
- Energy:
- calmer than 84% of Richie Hawtin's catalogue
- Tempo:
- slower than 82% of Richie Hawtin's catalogue
- Reach:
- more underground than 76% of Richie Hawtin's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is 96:02 04:00 in?
96:02 04:00 by Richie Hawtin is in G major, or 9B on the Camelot wheel.
What BPM is 96:02 04:00?
96:02 04:00 runs at 118 BPM, a mid-tempo track.
What mixes well with 96:02 04:00?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is 96:02 04:00 good for peak time?
With energy 23 out of 100 at 118 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 118 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 111-125 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 118 — beatmatch without a big tempo pull.
More minimal
More from Richie Hawtin
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 118 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.