Bleep Police by Rene Wise cover art

Bleep Police

Rene Wise

30s preview

Key
9A · E minor
BPM
134
Open Key
2m
Energy
86/100
Pop
17/100
Length
6:02
Released
2024
Genre
Techno
Loudness
-9.5 dB
Dynamics
7.5 dB
ISRC
NLCK42419580

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 134 BPM in E minor (9A), Bleep Police is a peak-time tempo techno production. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. More bass-heavy than 83% of Rene Wise's catalogue. For programming, treat it as a peak-time weapon.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy86
Mood14Dark
Groove76
Acoustic57
Instrumental90
Live11
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
46%
Low
30-130 Hz
34%
Low-mid
130-570 Hz
15%
Upper-mid
570 Hz-2.5 kHz
4%
High
2.5-11 kHz

FAQ

What key is Bleep Police in?

Bleep Police by Rene Wise is in E minor, or 9A on the Camelot wheel.

What BPM is Bleep Police?

Bleep Police runs at 134 BPM, a peak-time tempo track.

What mixes well with Bleep Police?

From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.

Is Bleep Police good for peak time?

With energy 86 out of 100 at 134 BPM, it works best as a peak-time weapon.

Mixes harmonically

9A8A · 10A · 9B

From 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.

#Track

Every move from 9A

10ASimple Mix Upper
8ASimple Mix Downer
9BTonal Shift·
10BDiagonal Mix Upper
8BDiagonal Mix Downer
6BCompatible Tone·
11AHigh Energy Boost▲▲▲
7AHigh Energy Drain▼▼▼
12AParallel Key Upper▲▲
6AParallel Key Downer▼▼
4ATritone Jump▲▲
1ARelated Keyrisky

How to mix it

In 9A at 134 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.

Pitch range at ±6%: 126-142 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 86/100).

Similar tempo

Within ±3 BPM of 134 — beatmatch without a big tempo pull.

#Track

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 134 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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