outremont 1998 by Kmyle cover art

outremont 1998

Kmyle

30s preview

Key
9B · G major
BPM
135
Open Key
2d
Energy
92/100
Pop
1/100
Length
5:56
Released
2017
Genre
Techno
Loudness
-10.5 dB
Dynamics
9.9 dB
ISRC
FR9W11700508

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

outremont 1998 is a driving up-tempo techno track in G major (9B) at 135 BPM. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2017 production that still circulates in sets. Groovier than 95% of Kmyle's catalogue. For programming, treat it as a peak-time weapon.

Energy:
hotter than 89% of Kmyle's catalogue
Brightness:
darker than 83% of Kmyle's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy92
Mood6Dark
Groove77
Acoustic4
Instrumental88
Live11
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
41%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
11%
High
2.5-11 kHz

FAQ

What key is outremont 1998 in?

outremont 1998 by Kmyle is in G major, or 9B on the Camelot wheel.

What BPM is outremont 1998?

outremont 1998 runs at 135 BPM, a driving up-tempo track.

What mixes well with outremont 1998?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is outremont 1998 good for peak time?

With energy 92 out of 100 at 135 BPM, it works best as a peak-time weapon.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

#Track

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 135 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 92/100).

Similar tempo

Within ±3 BPM of 135 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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