Rough Escorts by Rene Wise cover art

Rough Escorts

Rene Wise

30s preview

Key
12A · D♭ minor
BPM
134
Open Key
5m
Energy
76/100
Pop
22/100
Length
5:31
Released
2024
Genre
Techno
Loudness
-9.5 dB
Dynamics
8.3 dB
ISRC
NLCK42419579

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A peak-time tempo techno cut, Rough Escorts sits in D♭ minor (12A) at 134 BPM. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Calmer than 92% of Rene Wise's catalogue. For programming, treat it as a peak-time weapon.

Groove:
groovier than 86% of Rene Wise's catalogue
Reach:
better known than 85% of Rene Wise's catalogue
Low end:
more bass-heavy than 75% of Rene Wise's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy76
Mood31Dark
Groove79
Acoustic37
Instrumental87
Live11
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
43%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
15%
Upper-mid
570 Hz-2.5 kHz
11%
High
2.5-11 kHz

FAQ

What key is Rough Escorts in?

Rough Escorts by Rene Wise is in D♭ minor, or 12A on the Camelot wheel.

What BPM is Rough Escorts?

Rough Escorts runs at 134 BPM, a peak-time tempo track.

What mixes well with Rough Escorts?

From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.

Is Rough Escorts good for peak time?

With energy 76 out of 100 at 134 BPM, it works best as a peak-time weapon.

Mixes harmonically

12A11A · 1A · 12B

From 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.

#Track

Every move from 12A

1ASimple Mix Upper
11ASimple Mix Downer
12BTonal Shift·
1BDiagonal Mix Upper
11BDiagonal Mix Downer
9BCompatible Tone·
2AHigh Energy Boost▲▲▲
10AHigh Energy Drain▼▼▼
3AParallel Key Upper▲▲
9AParallel Key Downer▼▼
7ATritone Jump▲▲
4ARelated Keyrisky

How to mix it

In 12A at 134 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.

Pitch range at ±6%: 126-142 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 76/100).

Similar tempo

Within ±3 BPM of 134 — beatmatch without a big tempo pull.

#Track

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 134 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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