The Hope - Recondite's Nocturnal Car Ride by Recondite cover art

The Hope - Recondite's Nocturnal Car Ride

Recondite

30s preview

Key
8A · A minor
BPM
122
Open Key
1m
Energy
26/100
Pop
7/100
Length
6:57
Released
2017
Album
Update
Genre
Techno
Label
Hotflush Recordings
Loudness
-15.2 dB
Dynamics
12.5 dB
ISRC
GBHQT1200059

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

A club-tempo techno cut, The Hope - Recondite's Nocturnal Car Ride sits in A minor (8A) at 122 BPM. The feel is subdued and even. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2017 production that still circulates in sets. Brighter than 91% of Recondite's catalogue. For programming, treat it as a warm-up or breakdown cut.

Energy:
calmer than 88% of Recondite's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy26
Mood52Balanced
Groove76
Acoustic23
Instrumental88
Live10
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
44%
Low
30-130 Hz
32%
Low-mid
130-570 Hz
12%
Upper-mid
570 Hz-2.5 kHz
11%
High
2.5-11 kHz

FAQ

What key is The Hope - Recondite's Nocturnal Car Ride in?

The Hope - Recondite's Nocturnal Car Ride by Recondite is in A minor, or 8A on the Camelot wheel.

What BPM is The Hope - Recondite's Nocturnal Car Ride?

The Hope - Recondite's Nocturnal Car Ride runs at 122 BPM, a club-tempo track.

What mixes well with The Hope - Recondite's Nocturnal Car Ride?

From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.

Is The Hope - Recondite's Nocturnal Car Ride good for peak time?

With energy 26 out of 100 at 122 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

8A7A · 9A · 8B

From 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.

Every move from 8A

9ASimple Mix Upper
7ASimple Mix Downer
8BTonal Shift·
9BDiagonal Mix Upper
7BDiagonal Mix Downer
5BCompatible Tone·
10AHigh Energy Boost▲▲▲
6AHigh Energy Drain▼▼▼
11AParallel Key Upper▲▲
5AParallel Key Downer▼▼
3ATritone Jump▲▲
12ARelated Keyrisky

How to mix it

In 8A at 122 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.

Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 122 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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