Take to the Seas
- Key
- 1B · B major
- BPM
- 117
- Open Key
- 6d
- Energy
- 96/100
- Pop
- 1/100
- Length
- 2:22
- Released
- 2010
- Genre
- Punk
- Loudness
- -4.4 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A mid-tempo punk cut, Take to the Seas sits in B major (1B) at 117 BPM. The feel is punchy, neutral in mood. The groove is loose and less beat-driven. It is vocal-led. The master is loud and heavily compressed. A 2010 production that still circulates in sets. Less groove-driven than 91% of Rebuke's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- slower than 90% of Rebuke's catalogue
- Energy:
- hotter than 85% of Rebuke's catalogue
- Brightness:
- brighter than 81% of Rebuke's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Take to the Seas in?
Take to the Seas by Rebuke is in B major, or 1B on the Camelot wheel.
What BPM is Take to the Seas?
Take to the Seas runs at 117 BPM, a mid-tempo track.
What mixes well with Take to the Seas?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is Take to the Seas good for peak time?
With energy 96 out of 100 at 117 BPM, it works best as a mid-set roller.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 117 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 110-124 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 117 — beatmatch without a big tempo pull.
More punk
More from Rebuke
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 117 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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