Our Time Will Come - Chase & Status Remix by Carl Cox cover art

Our Time Will Come - Chase & Status Remix

Carl Cox

30s preview

Key
3A · B♭ minor
BPM
116
Open Key
8m
Energy
96/100
Pop
0/100
Length
4:30
Released
2022
Album
Our Time Will Come (Chase & Status Remix)
Genre
Tech House
Loudness
-2.6 dB
Dynamics
12.6 dB
ISRC
GB5KW2204529

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (3A at 132 BPM), this version runs 16 BPM slower in the same key.

Our Time Will Come - Chase & Status Remix: mid-tempo tech house, B♭ minor (3A), 116 BPM. Tonally it lands dark and driving. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 13 dB). Less groove-driven than 99% of Carl Cox's catalogue. In a set it works best as a mid-set roller.

Reach:
more underground than 99% of Carl Cox's catalogue
Tempo:
slower than 98% of Carl Cox's catalogue
Low end:
more treble-tilted than 96% of Carl Cox's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy96
Mood8Dark
Groove29
Acoustic1
Instrumental92
Live41
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
29%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
24%
Upper-mid
570 Hz-2.5 kHz
20%
High
2.5-11 kHz

FAQ

What key is Our Time Will Come - Chase & Status Remix in?

Our Time Will Come - Chase & Status Remix by Carl Cox is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Our Time Will Come - Chase & Status Remix?

Our Time Will Come - Chase & Status Remix runs at 116 BPM, a mid-tempo track.

What mixes well with Our Time Will Come - Chase & Status Remix?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Our Time Will Come - Chase & Status Remix good for peak time?

With energy 96 out of 100 at 116 BPM, it works best as a mid-set roller.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 116 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 109-123 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 116 — beatmatch without a big tempo pull.

More tech house

More from Carl Cox

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 116 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track