Ride the Flow (Mathias Kaden's Traffic Remix From 2015)
30s preview
- BPM
- 117
- Open Key
- 5d
- Energy
- 86/100
- Pop
- 1/100
- Length
- 3:13
- Released
- 2022
- Genre
- Tech House
- Loudness
- -8.0 dB
- Dynamics
- 19.5 dB
- ISRC
- DENC32200140
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Ride the Flow (Mathias Kaden's Traffic Remix From 2015) is a mid-tempo tech house track in E major (12B) at 117 BPM. Tonally it lands dark and driving. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps unusual dynamic range for club music (crest 20 dB). More treble-tilted than 98% of Namito's catalogue. For programming, treat it as a floor-filler.
- Tempo:
- slower than 89% of Namito's catalogue
- Energy:
- hotter than 83% of Namito's catalogue
- Groove:
- less groove-driven than 79% of Namito's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 21%
- Low
- 30-130 Hz
- 34%
- Low-mid
- 130-570 Hz
- 28%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Ride the Flow (Mathias Kaden's Traffic Remix From 2015) in?
Ride the Flow (Mathias Kaden's Traffic Remix From 2015) by Namito is in E major, or 12B on the Camelot wheel.
What BPM is Ride the Flow (Mathias Kaden's Traffic Remix From 2015)?
Ride the Flow (Mathias Kaden's Traffic Remix From 2015) runs at 117 BPM, a mid-tempo track.
What mixes well with Ride the Flow (Mathias Kaden's Traffic Remix From 2015)?
From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.
Is Ride the Flow (Mathias Kaden's Traffic Remix From 2015) good for peak time?
With energy 86 out of 100 at 117 BPM, it works best as a floor-filler.
Mixes harmonically
12B → 11B · 1B · 12AFrom 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.
How to mix it
In 12B at 117 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.
Pitch range at ±6%: 110-124 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 117 — beatmatch without a big tempo pull.
![Love Galaxy (Guy Gerber's Don't F**k with Cats Remix) [Edit] (feat. Lil Silva) by Guy Gerber cover art](https://i.scdn.co/image/ab67616d00001e02983dbd495ada5e657047f82b){kind=small}
More tech house
More from Namito
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 117 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
