Suicide Mind
- BPM
- 130
- Open Key
- 4m
- Energy
- 84/100
- Pop
- 0/100
- Length
- 6:39
- Released
- 2013
- Album
- Cycles EP
- Genre
- Techno
- Loudness
- -10.2 dB
- ISRC
- DEOO51300022
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Suicide Mindoriginal10B · 130
A peak-time tempo techno cut, Suicide Mind sits in F♯ minor (11A) at 130 BPM. It reads as punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2013 production that still circulates in sets. More underground than 99% of Rebekah's catalogue. For programming, treat it as a peak-time weapon.
- Low end:
- more bass-heavy than 99% of Rebekah's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 59%
- Low
- 30-130 Hz
- 34%
- Low-mid
- 130-570 Hz
- 6%
- Upper-mid
- 570 Hz-2.5 kHz
- 0%
- High
- 2.5-11 kHz
FAQ
What key is Suicide Mind in?
Suicide Mind by Rebekah is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Suicide Mind?
Suicide Mind runs at 130 BPM, a peak-time tempo track.
What mixes well with Suicide Mind?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Suicide Mind good for peak time?
With energy 84 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
![Cooling Tower - ARTCØRE [TECHNO] Remix by Marco Ginelli cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/394fed3abf4befafa583.webp){kind=small}
How to mix it
In 11A at 130 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 84/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More techno
More from Rebekah
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
