Formaldehyde by Marco Ginelli cover art

Formaldehyde

Marco Ginelli

30s preview

Key
5A · C minor
BPM
130
Open Key
10m
Energy
84/100
Pop
0/100
Length
6:10
Released
2019
Album
Formaldehyde EP
Genre
Techno
Loudness
-11.1 dB
Dynamics
8.2 dB
ISRC
DEKB71667980

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Formaldehyde: peak-time tempo techno, C minor (5A), 130 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. More underground than 99% of Marco Ginelli's catalogue.

Brightness:
darker than 84% of Marco Ginelli's catalogue
Low end:
more bass-heavy than 81% of Marco Ginelli's catalogue
Groove:
less groove-driven than 79% of Marco Ginelli's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy84
Mood4Dark
Groove58
Acoustic8
Instrumental73
Live69
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
45%
Low
30-130 Hz
26%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
9%
High
2.5-11 kHz

FAQ

What key is Formaldehyde in?

Formaldehyde by Marco Ginelli is in C minor, or 5A on the Camelot wheel.

What BPM is Formaldehyde?

Formaldehyde runs at 130 BPM, a peak-time tempo track.

What mixes well with Formaldehyde?

From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.

Is Formaldehyde good for peak time?

With energy 84 out of 100 at 130 BPM, it works best as a peak-time weapon.

Mixes harmonically

5A4A · 6A · 5B

From 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.

#Track

Every move from 5A

6ASimple Mix Upper
4ASimple Mix Downer
5BTonal Shift·
6BDiagonal Mix Upper
4BDiagonal Mix Downer
2BCompatible Tone·
7AHigh Energy Boost▲▲▲
3AHigh Energy Drain▼▼▼
8AParallel Key Upper▲▲
2AParallel Key Downer▼▼
12ATritone Jump▲▲
9ARelated Keyrisky

How to mix it

In 5A at 130 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.

Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 84/100).

Similar tempo

Within ±3 BPM of 130 — beatmatch without a big tempo pull.

More techno

#Track

More from Marco Ginelli

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track