The Last Scene
30s preview
- BPM
- 132
- Open Key
- 3m
- Energy
- 66/100
- Pop
- 3/100
- Length
- 6:11
- Released
- 2016
- Genre
- Techno
- Loudness
- -13.0 dB
- Dynamics
- 10.5 dB
- ISRC
- DELG71400809
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
The Last Scene runs 132 BPM in B minor (10A), a peak-time tempo techno record. The feel is dark and driving. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2016 production that still circulates in sets. Less groove-driven than 88% of Planetary Assault Systems's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 76% of Planetary Assault Systems's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 43%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 13%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is The Last Scene in?
The Last Scene by Planetary Assault Systems is in B minor, or 10A on the Camelot wheel.
What BPM is The Last Scene?
The Last Scene runs at 132 BPM, a peak-time tempo track.
What mixes well with The Last Scene?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is The Last Scene good for peak time?
With energy 66 out of 100 at 132 BPM, it works best as a mid-set roller.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 132 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More techno
More from Planetary Assault Systems
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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