Neon Innocence by Phase Fatale cover art

Neon Innocence

Phase Fatale

30s preview

Key
3B · D♭ major
BPM
140
Half-time
70
Open Key
8d
Energy
96/100
Pop
8/100
Length
6:29
Released
2024
Genre
Techno
Label
Bite
Loudness
-9.2 dB
Dynamics
10.4 dB
ISRC
NL8RL2443136

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Neon Innocence runs 140 BPM in D♭ major (3B), a driving up-tempo techno record. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Faster than 94% of Phase Fatale's catalogue. In a set it works best as a peak-time weapon.

Groove:
groovier than 92% of Phase Fatale's catalogue
Brightness:
darker than 81% of Phase Fatale's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy96
Mood4Dark
Groove76
Acoustic0
Instrumental88
Live11
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
41%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
12%
High
2.5-11 kHz

FAQ

What key is Neon Innocence in?

Neon Innocence by Phase Fatale is in D♭ major, or 3B on the Camelot wheel.

What BPM is Neon Innocence?

Neon Innocence runs at 140 BPM, a driving up-tempo track.

What mixes well with Neon Innocence?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is Neon Innocence good for peak time?

With energy 96 out of 100 at 140 BPM, it works best as a peak-time weapon.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

#Track

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 140 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 96/100).

Similar tempo

Within ±3 BPM of 140 — beatmatch without a big tempo pull.

#Track

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Full profile
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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track