Requiem of Desolation by I Hate Models cover art

Requiem of Desolation

I Hate Models

30s preview

Key
10A · B minor
BPM
137
Open Key
3m
Energy
98/100
Pop
31/100
Length
9:36
Released
2018
Genre
Techno
Loudness
-6.6 dB
Dynamics
8.8 dB
ISRC
FR26V2058474

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A driving up-tempo techno cut, Requiem of Desolation sits in B minor (10A) at 137 BPM. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2018 production that still circulates in sets. Darker than 93% of I Hate Models's catalogue.

Energy:
hotter than 89% of I Hate Models's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy98
Mood4Dark
Groove53
Acoustic4
Instrumental91
Live11
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is Requiem of Desolation in?

Requiem of Desolation by I Hate Models is in B minor, or 10A on the Camelot wheel.

What BPM is Requiem of Desolation?

Requiem of Desolation runs at 137 BPM, a driving up-tempo track.

What mixes well with Requiem of Desolation?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Requiem of Desolation good for peak time?

With energy 98 out of 100 at 137 BPM, it works best as a peak-time weapon.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

#Track

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 137 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 129-145 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 98/100).

Similar tempo

Within ±3 BPM of 137 — beatmatch without a big tempo pull.

#Track

More techno

#Track

More from I Hate Models

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 137 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track