Contact
30s preview
- BPM
- 138
- Open Key
- 5d
- Energy
- 100/100
- Pop
- 0/100
- Length
- 6:23
- Released
- 2012
- Album
- The Speck of the Future
- Genre
- Techno
- Loudness
- -10.4 dB
- Dynamics
- 12.4 dB
- ISRC
- GBLFP0204302
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Contactoriginal12B · 138
Contact runs 138 BPM in E major (12B), a driving up-tempo techno record. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2012 production that still circulates in sets. More underground than 99% of Paula Temple's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 92% of Paula Temple's catalogue
- Brightness:
- brighter than 78% of Paula Temple's catalogue
- Low end:
- more treble-tilted than 78% of Paula Temple's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Contact in?
Contact by Paula Temple is in E major, or 12B on the Camelot wheel.
What BPM is Contact?
Contact runs at 138 BPM, a driving up-tempo track.
What mixes well with Contact?
From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.
Is Contact good for peak time?
With energy 100 out of 100 at 138 BPM, it works best as a peak-time weapon.
Mixes harmonically
12B → 11B · 1B · 12AFrom 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.
How to mix it
In 12B at 138 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.
Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 100/100).
Similar tempo
Within ±3 BPM of 138 — beatmatch without a big tempo pull.
More techno
More from Paula Temple
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
