Hazer (Guilt Attendant Remix)
30s preview
- BPM
- 136
- Open Key
- 9d
- Energy
- 99/100
- Pop
- 0/100
- Length
- 6:40
- Released
- 2022
- Genre
- Techno
- Loudness
- -7.4 dB
- Dynamics
- 17.3 dB
- ISRC
- USA2Z2200450
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
Against the original (4A at 150 BPM), this version runs 14 BPM slower and moves the key from 4A to 4B.
At 136 BPM in A♭ major (4B), Hazer (Guilt Attendant Remix) is a driving up-tempo techno production. The feel is dark and driving. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 17 dB). More underground than 99% of Phase Fatale's catalogue. For programming, treat it as a peak-time weapon.
- Energy:
- hotter than 96% of Phase Fatale's catalogue
- Low end:
- more treble-tilted than 95% of Phase Fatale's catalogue
- Brightness:
- darker than 87% of Phase Fatale's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 27%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Hazer (Guilt Attendant Remix) in?
Hazer (Guilt Attendant Remix) by Phase Fatale is in A♭ major, or 4B on the Camelot wheel.
What BPM is Hazer (Guilt Attendant Remix)?
Hazer (Guilt Attendant Remix) runs at 136 BPM, a driving up-tempo track.
What mixes well with Hazer (Guilt Attendant Remix)?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Hazer (Guilt Attendant Remix) good for peak time?
With energy 99 out of 100 at 136 BPM, it works best as a peak-time weapon.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 136 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 128-144 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 99/100).
Similar tempo
Within ±3 BPM of 136 — beatmatch without a big tempo pull.
More techno
More from Phase Fatale
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 136 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
