Feed Your Head
30s preview
- Key
- 7A · D minor
- BPM
- 124
- Open Key
- 12m
- Energy
- 55/100
- Pop
- 38/100
- Length
- 6:04
- Released
- 2015
- Genre
- Tech House
- Label
- Not On Label
- Loudness
- -10.2 dB
- Dynamics
- 12.2 dB
- ISRC
- GBARL1501205
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 124 BPM in D minor (7A), Feed Your Head is a club-tempo tech house production. Tonally it lands dark and steady. Rhythmically it is built for the dancefloor. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2015 production that still circulates in sets. More treble-tilted than 99% of Paul Kalkbrenner's catalogue. For programming, treat it as a mid-set roller.
- Groove:
- groovier than 87% of Paul Kalkbrenner's catalogue
- Reach:
- better known than 87% of Paul Kalkbrenner's catalogue
- Tempo:
- slower than 85% of Paul Kalkbrenner's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 22%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 30%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Feed Your Head in?
Feed Your Head by Paul Kalkbrenner is in D minor, or 7A on the Camelot wheel.
What BPM is Feed Your Head?
Feed Your Head runs at 124 BPM, a club-tempo track.
What mixes well with Feed Your Head?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is Feed Your Head good for peak time?
With energy 55 out of 100 at 124 BPM, it works best as a mid-set roller.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
How to mix it
In 7A at 124 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More tech house
More from Paul Kalkbrenner
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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