The More I See You - Matt Prehn Remix
- BPM
- 124
- Open Key
- 8m
- Energy
- 54/100
- Pop
- 0/100
- Length
- 6:20
- Released
- 2012
- Album
- The More I See You
- Genre
- House
- Loudness
- -12.1 dB
- ISRC
- GB9PM1200140
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The More I See You - Soulplate ReRuboriginal3B · 125
- The More I See You - Frej's 6am Sunday Mixoriginal3A · 124
- The More I See You - Instrumental Mixoriginal4B · 124
- The More I See You - Marco Twellmann Dubversion4B · 124
- The More I See You - Marco Twellmann Remixremix4B · 124
- The More I See You - Original Mixoriginal4B · 124
Against the original (3B at 125 BPM), this version runs 1 BPM slower and moves the key from 3B to 3A.
The More I See You - Matt Prehn Remix runs 124 BPM in B♭ minor (3A), a club-tempo house record. The feel is dark and steady. Rhythmically it is built for the dancefloor. The master keeps real dynamic headroom. A 2012 production that still circulates in sets. More underground than 99% of Ashibah's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 86% of Ashibah's catalogue
- Groove:
- groovier than 84% of Ashibah's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is The More I See You - Matt Prehn Remix in?
The More I See You - Matt Prehn Remix by Ashibah is in B♭ minor, or 3A on the Camelot wheel.
What BPM is The More I See You - Matt Prehn Remix?
The More I See You - Matt Prehn Remix runs at 124 BPM, a club-tempo track.
What mixes well with The More I See You - Matt Prehn Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is The More I See You - Matt Prehn Remix good for peak time?
With energy 54 out of 100 at 124 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 124 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More house
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
