180 by Oscar Mulero cover art
Key
3A · B♭ minor
BPM
138
Open Key
8m
Energy
99/100
Pop
0/100
Length
6:25
Released
2004
Genre
Techno
Loudness
-7.2 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 138 BPM in B♭ minor (3A), 180 is a driving up-tempo techno production. Tonally it lands dark and driving. The groove is loose and less beat-driven. The mix is almost entirely instrumental. A 2004 production that still circulates in sets. More underground than 99% of Oscar Mulero's catalogue. For programming, treat it as a peak-time weapon.

Groove:
less groove-driven than 96% of Oscar Mulero's catalogue
Energy:
hotter than 92% of Oscar Mulero's catalogue
Tempo:
faster than 86% of Oscar Mulero's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy99
Mood35Balanced
Groove35
Acoustic21
Instrumental87
Live37
Speech7

Frequency spectrum

amplitude · bass → treble

FAQ

What key is 180 in?

180 by Oscar Mulero is in B♭ minor, or 3A on the Camelot wheel.

What BPM is 180?

180 runs at 138 BPM, a driving up-tempo track.

What mixes well with 180?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is 180 good for peak time?

With energy 99 out of 100 at 138 BPM, it works best as a peak-time weapon.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#Track

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 138 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 99/100).

Similar tempo

Within ±3 BPM of 138 — beatmatch without a big tempo pull.

#Track

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Full profile
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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track