Nuis Octury by Kangding Ray cover art

Nuis Octury

Kangding Ray

30s preview

Key
3B · D♭ major
BPM
138
Open Key
8d
Energy
80/100
Pop
2/100
Length
6:33
Released
2013
Genre
Techno
Loudness
-7.0 dB
Dynamics
10.9 dB
ISRC
DEPL91329173

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Nuis Octury is a driving up-tempo techno track in D♭ major (3B) at 138 BPM. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2013 production that still circulates in sets. Groovier than 87% of Kangding Ray's catalogue. In a set it works best as a peak-time weapon.

Brightness:
brighter than 83% of Kangding Ray's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy80
Mood26Dark
Groove78
Acoustic0
Instrumental86
Live24
Speech5
darkrelaxedinstrumental

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
39%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
10%
High
2.5-11 kHz

FAQ

What key is Nuis Octury in?

Nuis Octury by Kangding Ray is in D♭ major, or 3B on the Camelot wheel.

What BPM is Nuis Octury?

Nuis Octury runs at 138 BPM, a driving up-tempo track.

What mixes well with Nuis Octury?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is Nuis Octury good for peak time?

With energy 80 out of 100 at 138 BPM, it works best as a peak-time weapon.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

#Track

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 138 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 80/100).

Similar tempo

Within ±3 BPM of 138 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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