Iddy
- Key
- 5A · C minor
- BPM
- 138
- Open Key
- 10m
- Energy
- 94/100
- Pop
- 14/100
- Length
- 5:49
- Released
- 2010
- Genre
- Techno
- Loudness
- -4.1 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 138 BPM in C minor (5A), Iddy is a driving up-tempo techno production. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2010 production that still circulates in sets. Brighter than 91% of Blawan's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 82% of Blawan's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Iddy in?
Iddy by Blawan is in C minor, or 5A on the Camelot wheel.
What BPM is Iddy?
Iddy runs at 138 BPM, a driving up-tempo track.
What mixes well with Iddy?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Iddy good for peak time?
With energy 94 out of 100 at 138 BPM, it works best as a peak-time weapon.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 138 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 138 — beatmatch without a big tempo pull.
More techno
More from Blawan
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
