Take Us Apart by Luke Slater cover art

Take Us Apart

Luke Slater

Key
6A · G minor
BPM
136
Open Key
11m
Energy
85/100
Pop
0/100
Length
5:45
Released
2002
Genre
Techno
Loudness
-5.7 dB
ISRC
GBAJH0100494

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Take Us Apart runs 136 BPM in G minor (6A), a driving up-tempo techno record. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2002 production that still circulates in sets. More underground than 99% of Luke Slater's catalogue.

Groove:
less groove-driven than 86% of Luke Slater's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy85
Mood34Balanced
Groove48
Acoustic0
Instrumental11
Live41
Speech3

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
36%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Take Us Apart in?

Take Us Apart by Luke Slater is in G minor, or 6A on the Camelot wheel.

What BPM is Take Us Apart?

Take Us Apart runs at 136 BPM, a driving up-tempo track.

What mixes well with Take Us Apart?

From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.

Is Take Us Apart good for peak time?

With energy 85 out of 100 at 136 BPM, it works best as a peak-time weapon.

Mixes harmonically

6A5A · 7A · 6B

From 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.

#Track

Every move from 6A

7ASimple Mix Upper
5ASimple Mix Downer
6BTonal Shift·
7BDiagonal Mix Upper
5BDiagonal Mix Downer
3BCompatible Tone·
8AHigh Energy Boost▲▲▲
4AHigh Energy Drain▼▼▼
9AParallel Key Upper▲▲
3AParallel Key Downer▼▼
1ATritone Jump▲▲
10ARelated Keyrisky

How to mix it

In 6A at 136 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.

Pitch range at ±6%: 128-144 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 85/100).

Similar tempo

Within ±3 BPM of 136 — beatmatch without a big tempo pull.

#Track

More techno

More from Luke Slater

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 136 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track