Seven Kinds of Sin
- Key
- 9A · E minor
- BPM
- 136
- Open Key
- 2m
- Energy
- 97/100
- Pop
- 0/100
- Length
- 5:32
- Released
- 2008
- Genre
- Techno
- Loudness
- -5.9 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A driving up-tempo techno cut, Seven Kinds of Sin sits in E minor (9A) at 136 BPM. The mix is almost entirely instrumental. A 2008 production that still circulates in sets. More underground than 99% of Oscar Mulero's catalogue.
- Brightness:
- brighter than 96% of Oscar Mulero's catalogue
- Energy:
- hotter than 87% of Oscar Mulero's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Seven Kinds of Sin in?
Seven Kinds of Sin by Oscar Mulero is in E minor, or 9A on the Camelot wheel.
What BPM is Seven Kinds of Sin?
Seven Kinds of Sin runs at 136 BPM, a driving up-tempo track.
What mixes well with Seven Kinds of Sin?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Seven Kinds of Sin good for peak time?
With energy 97 out of 100 at 136 BPM, it works best as a peak-time weapon.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 136 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 128-144 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 97/100).
Similar tempo
Within ±3 BPM of 136 — beatmatch without a big tempo pull.
More techno
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 136 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
