Black Feels Blue for Kasper
30s preview
- BPM
- 123
- Open Key
- 7m
- Energy
- 27/100
- Pop
- 2/100
- Length
- 7:30
- Released
- 2012
- Album
- Free Your Soul
- Genre
- Tech House
- Label
- Style Rockets
- Loudness
- -15.6 dB
- Dynamics
- 10.8 dB
- ISRC
- DEGD51206290
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Black Feels Blue for Kasper runs 123 BPM in E♭ minor (2A), a club-tempo tech house record. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2012 production that still circulates in sets. More bass-heavy than 98% of Oliver Schories's catalogue.
- Energy:
- calmer than 97% of Oliver Schories's catalogue
- Groove:
- groovier than 93% of Oliver Schories's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 50%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 3%
- High
- 2.5-11 kHz
FAQ
What key is Black Feels Blue for Kasper in?
Black Feels Blue for Kasper by Oliver Schories is in E♭ minor, or 2A on the Camelot wheel.
What BPM is Black Feels Blue for Kasper?
Black Feels Blue for Kasper runs at 123 BPM, a club-tempo track.
What mixes well with Black Feels Blue for Kasper?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is Black Feels Blue for Kasper good for peak time?
With energy 27 out of 100 at 123 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 123 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More tech house
More from Oliver Schories
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
