Boy Got Soul
30s preview
- BPM
- 110
- Open Key
- 5m
- Energy
- 57/100
- Pop
- 0/100
- Length
- 4:30
- Released
- 2012
- Genre
- Deep House
- Loudness
- -7.4 dB
- Dynamics
- 9.9 dB
- ISRC
- DEKN60900370
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 110 BPM in D♭ minor (12A), Boy Got Soul is a mid-tempo deep house production. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2012 production that still circulates in sets. More underground than 99% of Oliver Koletzki's catalogue.
- Groove:
- groovier than 93% of Oliver Koletzki's catalogue
- Tempo:
- slower than 89% of Oliver Koletzki's catalogue
- Brightness:
- brighter than 80% of Oliver Koletzki's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Boy Got Soul in?
Boy Got Soul by Oliver Koletzki is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Boy Got Soul?
Boy Got Soul runs at 110 BPM, a mid-tempo track.
What mixes well with Boy Got Soul?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Boy Got Soul good for peak time?
With energy 57 out of 100 at 110 BPM, it works best as a mid-set roller.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 110 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 103-117 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 110 — beatmatch without a big tempo pull.
More deep house
More from Oliver Koletzki
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 110 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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