The Missile - Sound Factory Bar Groove
- Key
- 8A · A minor
- BPM
- 110
- Open Key
- 1m
- Energy
- 63/100
- Pop
- 0/100
- Length
- 7:05
- Released
- 1996
- Album
- The Missile
- Genre
- House
- Loudness
- -14.5 dB
- ISRC
- USAH90610444
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Missile - 2 AM Vinyl Mixoriginal8A · 126
- The Missile - Ken Dog Beatsoriginal1B · 124
- The Missile - Louie's Anthem Mixoriginal8A · 124
- The Missile - Sound Factory Bar Grooveoriginal8A · 110
- The Missile - Ken Dog Beatsoriginal1B · 124
- The Missile - Main Mixoriginal8A · 124
The Missile - Sound Factory Bar Groove is a mid-tempo house track in A minor (8A) at 110 BPM. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 1996 production that still circulates in sets. More underground than 99% of Louie Vega's catalogue. For programming, treat it as a mid-set roller.
- Tempo:
- slower than 98% of Louie Vega's catalogue
- Brightness:
- darker than 84% of Louie Vega's catalogue
- Energy:
- calmer than 78% of Louie Vega's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is The Missile - Sound Factory Bar Groove in?
The Missile - Sound Factory Bar Groove by Louie Vega is in A minor, or 8A on the Camelot wheel.
What BPM is The Missile - Sound Factory Bar Groove?
The Missile - Sound Factory Bar Groove runs at 110 BPM, a mid-tempo track.
What mixes well with The Missile - Sound Factory Bar Groove?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is The Missile - Sound Factory Bar Groove good for peak time?
With energy 63 out of 100 at 110 BPM, it works best as a mid-set roller.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 110 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 103-117 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 110 — beatmatch without a big tempo pull.
More house
More from Louie Vega
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 110 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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