undir (london)
30s preview
- BPM
- 140
- Half-time
- 70
- Open Key
- 5d
- Energy
- 48/100
- Pop
- 38/100
- Length
- 6:31
- Released
- 2019
- Genre
- Downtempo
- Loudness
- -15.0 dB
- Dynamics
- 14.2 dB
- ISRC
- GBBBA1800110
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- undir (london) - liveoriginal12B · 140
A driving up-tempo downtempo cut, undir (london) sits in E major (12B) at 140 BPM. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). Hotter than 93% of Olafur Arnalds's catalogue. In a set it works best as a high-intensity peak cut.
- Low end:
- more treble-tilted than 91% of Olafur Arnalds's catalogue
- Reach:
- better known than 88% of Olafur Arnalds's catalogue
- Brightness:
- darker than 80% of Olafur Arnalds's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 20%
- Low
- 30-130 Hz
- 39%
- Low-mid
- 130-570 Hz
- 31%
- Upper-mid
- 570 Hz-2.5 kHz
- 10%
- High
- 2.5-11 kHz
FAQ
What key is undir (london) in?
undir (london) by Olafur Arnalds is in E major, or 12B on the Camelot wheel.
What BPM is undir (london)?
undir (london) runs at 140 BPM, a driving up-tempo track.
What mixes well with undir (london)?
From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.
Is undir (london) good for peak time?
With energy 48 out of 100 at 140 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
12B → 11B · 1B · 12AFrom 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.
How to mix it
In 12B at 140 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More downtempo
More from Olafur Arnalds
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
