Going Under
30s preview
- BPM
- 115
- Open Key
- 4m
- Energy
- 10/100
- Pop
- 24/100
- Length
- 3:56
- Released
- 2017
- Album
- Broadchurch - The Final Chapter (Music From The Original TV Series)
- Genre
- Downtempo
- Loudness
- -21.1 dB
- Dynamics
- 20.2 dB
- ISRC
- GBUM71701182
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Going Under is a mid-tempo downtempo track in F♯ minor (11A) at 115 BPM. It reads as brooding and low-slung. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 20 dB). A 2017 production that still circulates in sets. Darker than 82% of Olafur Arnalds's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Low end:
- more bass-heavy than 81% of Olafur Arnalds's catalogue
- Groove:
- less groove-driven than 76% of Olafur Arnalds's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 42%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 0%
- High
- 2.5-11 kHz
FAQ
What key is Going Under in?
Going Under by Olafur Arnalds is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Going Under?
Going Under runs at 115 BPM, a mid-tempo track.
What mixes well with Going Under?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Going Under good for peak time?
With energy 10 out of 100 at 115 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 115 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 108-122 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 115 — beatmatch without a big tempo pull.
More downtempo
More from Olafur Arnalds
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 115 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
