23:17
- BPM
- 111
- Open Key
- 8d
- Energy
- 15/100
- Pop
- 0/100
- Length
- 5:21
- Released
- 2016
- Album
- Trance Frendz
- Genre
- Downtempo
- Loudness
- -22.7 dB
- ISRC
- GBWZD1507403
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
23:17 runs 111 BPM in D♭ major (3B), a mid-tempo downtempo record. The feel is brooding and low-slung. The master keeps real dynamic headroom. A 2016 production that still circulates in sets. More underground than 99% of Olafur Arnalds's catalogue.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is 23:17 in?
23:17 by Olafur Arnalds is in D♭ major, or 3B on the Camelot wheel.
What BPM is 23:17?
23:17 runs at 111 BPM, a mid-tempo track.
What mixes well with 23:17?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is 23:17 good for peak time?
With energy 15 out of 100 at 111 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 111 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 104-118 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 111 — beatmatch without a big tempo pull.
More downtempo
More from Olafur Arnalds
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 111 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
