Holding On by Nu:Tone cover art

Holding On

Nu:Tone

30s preview

Key
3A · B♭ minor
BPM
124
Open Key
8m
Energy
81/100
Pop
1/100
Length
6:14
Released
2015
Album
Dive In
Genre
Drum N Bass
Loudness
-9.0 dB
Dynamics
12.7 dB
ISRC
GBQGW1500031

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Holding On: club-tempo drum n bass, B♭ minor (3A), 124 BPM. The feel is bright and euphoric. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2015 production that still circulates in sets. Groovier than 99% of Nu:Tone's catalogue. In a set it works best as a peak-time weapon.

Low end:
more bass-heavy than 88% of Nu:Tone's catalogue
Tempo:
slower than 87% of Nu:Tone's catalogue
Energy:
calmer than 83% of Nu:Tone's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy81
Mood72Bright
Groove86
Acoustic0
Instrumental79
Live5
Speech10

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
34%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Holding On in?

Holding On by Nu:Tone is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Holding On?

Holding On runs at 124 BPM, a club-tempo track.

What mixes well with Holding On?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Holding On good for peak time?

With energy 81 out of 100 at 124 BPM, it works best as a peak-time weapon.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 124 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 81/100).

Similar tempo

Within ±3 BPM of 124 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Nu:Tone

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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