Come Together - Nox Vahn & Marsh Revisit
30s preview
- Key
- 8B · C major
- BPM
- 111
- Open Key
- 1d
- Energy
- 60/100
- Pop
- 23/100
- Length
- 4:07
- Released
- 2024
- Album
- Come Together (Nox Vahn & Marsh Revisit)
- Genre
- Deep House
- Loudness
- -12.2 dB
- Dynamics
- 13.8 dB
- ISRC
- GBEWA2403620
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Come Togetheroriginal9B · 79
- Come Together - Extended Mixversion10B · 120
- Come Together - Scorz Remixremix8B · 124
- Come Together - Scorz Extended Mixversion1A · 124
- Come Together - Matthias Meyer Remixremix8B · 120
- Come Together - Matthias Meyer Extended Mixversion8B · 120
Come Together - Nox Vahn & Marsh Revisit is a mid-tempo deep house track in C major (8B) at 111 BPM. It reads as dark and driving. It leans atmospheric over strictly danceable. It is vocal-led. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). Less groove-driven than 99% of Nox Vahn's catalogue. For programming, treat it as a mid-set roller.
- Tempo:
- slower than 95% of Nox Vahn's catalogue
- Low end:
- more treble-tilted than 95% of Nox Vahn's catalogue
- Reach:
- better known than 88% of Nox Vahn's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Come Together - Nox Vahn & Marsh Revisit in?
Come Together - Nox Vahn & Marsh Revisit by Nox Vahn is in C major, or 8B on the Camelot wheel.
What BPM is Come Together - Nox Vahn & Marsh Revisit?
Come Together - Nox Vahn & Marsh Revisit runs at 111 BPM, a mid-tempo track.
What mixes well with Come Together - Nox Vahn & Marsh Revisit?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Come Together - Nox Vahn & Marsh Revisit good for peak time?
With energy 60 out of 100 at 111 BPM, it works best as a mid-set roller.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 111 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 104-118 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 111 — beatmatch without a big tempo pull.
More deep house
More from Nox Vahn
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 111 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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