Come Together - Matthias Meyer Remix
30s preview
- Key
- 8B · C major
- BPM
- 120
- Open Key
- 1d
- Energy
- 78/100
- Pop
- 9/100
- Length
- 4:05
- Released
- 2020
- Album
- Come Together (Matthias Meyer Remix)
- Genre
- Progressive House
- Loudness
- -9.3 dB
- Dynamics
- 10.4 dB
- ISRC
- GBEWA1908060
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Come Togetheroriginal9B · 79
- Come Together - Extended Mixversion10B · 120
- Come Together - Nox Vahn & Marsh Revisitoriginal8B · 111
- Come Together - Scorz Remixremix8B · 124
- Come Together - Scorz Extended Mixversion1A · 124
- Come Together - Matthias Meyer Extended Mixversion8B · 120
Against the original (9B at 79 BPM), this version runs 41 BPM faster and moves the key from 9B to 8B.
Come Together - Matthias Meyer Remix is a club-tempo progressive house track in C major (8B) at 120 BPM. Tonally it lands punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Brighter than 93% of Nox Vahn's catalogue. For programming, treat it as a mid-set roller.
- Tempo:
- slower than 88% of Nox Vahn's catalogue
- Groove:
- less groove-driven than 76% of Nox Vahn's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Come Together - Matthias Meyer Remix in?
Come Together - Matthias Meyer Remix by Nox Vahn is in C major, or 8B on the Camelot wheel.
What BPM is Come Together - Matthias Meyer Remix?
Come Together - Matthias Meyer Remix runs at 120 BPM, a club-tempo track.
What mixes well with Come Together - Matthias Meyer Remix?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Come Together - Matthias Meyer Remix good for peak time?
With energy 78 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 120 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More progressive house
More from Nox Vahn
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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