
まだ見ぬ既視へ
30s preview
- Key
- 4A · F minor
- BPM
- 110
- Open Key
- 9m
- Energy
- 65/100
- Pop
- 0/100
- Length
- 3:53
- Released
- 2025
- Genre
- Vocaloid
- Loudness
- -8.2 dB
- Dynamics
- 16.5 dB
- ISRC
- JP92W2500209
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- 聖人君子でありたい (feat. 重音テト)original6B · 174
- かみさまべにうめをせにさかせたる (feat. 重音テト)original10A · 73
- 散財讃歌 (feat. 重音テト)original4A · 138
- 命短し恋せよキメラ (feat. 重音テト)original4A · 168
- ドレスコード (feat. 初音ミク&重音テト)original3B · 132
- だめにんげんだ! (feat. 重音テト)original11B · 90
A mid-tempo vocaloid cut, まだ見ぬ既視へ sits in F minor (4A) at 110 BPM. The feel is bright and euphoric. It is vocal-led. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps unusual dynamic range for club music (crest 17 dB). More underground than 99% of Nobserv's catalogue.
- Low end:
- more treble-tilted than 94% of Nobserv's catalogue
- Brightness:
- brighter than 90% of Nobserv's catalogue
- Tempo:
- slower than 80% of Nobserv's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 27%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is まだ見ぬ既視へ in?
まだ見ぬ既視へ by Nobserv is in F minor, or 4A on the Camelot wheel.
What BPM is まだ見ぬ既視へ?
まだ見ぬ既視へ runs at 110 BPM, a mid-tempo track.
What mixes well with まだ見ぬ既視へ?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is まだ見ぬ既視へ good for peak time?
With energy 65 out of 100 at 110 BPM, it works best as a mid-set roller.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 110 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 103-117 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 110 — beatmatch without a big tempo pull.
More vocaloid
More from Nobserv
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 110 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.