まだ見ぬ既視へ by Nobserv cover art

まだ見ぬ既視へ

Nobserv

30s preview

Key
4A · F minor
BPM
110
Open Key
9m
Energy
65/100
Pop
0/100
Length
3:53
Released
2025
Genre
Vocaloid
Loudness
-8.2 dB
Dynamics
16.5 dB
ISRC
JP92W2500209

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A mid-tempo vocaloid cut, まだ見ぬ既視へ sits in F minor (4A) at 110 BPM. The feel is bright and euphoric. It is vocal-led. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps unusual dynamic range for club music (crest 17 dB). More underground than 99% of Nobserv's catalogue.

Low end:
more treble-tilted than 94% of Nobserv's catalogue
Brightness:
brighter than 90% of Nobserv's catalogue
Tempo:
slower than 80% of Nobserv's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy65
Mood90Bright
Groove57
Acoustic47
Instrumental1
Live19
Speech3

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
27%
Low
30-130 Hz
32%
Low-mid
130-570 Hz
25%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is まだ見ぬ既視へ in?

まだ見ぬ既視へ by Nobserv is in F minor, or 4A on the Camelot wheel.

What BPM is まだ見ぬ既視へ?

まだ見ぬ既視へ runs at 110 BPM, a mid-tempo track.

What mixes well with まだ見ぬ既視へ?

From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.

Is まだ見ぬ既視へ good for peak time?

With energy 65 out of 100 at 110 BPM, it works best as a mid-set roller.

Mixes harmonically

4A3A · 5A · 4B

From 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.

#Track

Every move from 4A

5ASimple Mix Upper
3ASimple Mix Downer
4BTonal Shift·
5BDiagonal Mix Upper
3BDiagonal Mix Downer
1BCompatible Tone·
6AHigh Energy Boost▲▲▲
2AHigh Energy Drain▼▼▼
7AParallel Key Upper▲▲
1AParallel Key Downer▼▼
11ATritone Jump▲▲
8ARelated Keyrisky

How to mix it

In 4A at 110 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.

Pitch range at ±6%: 103-117 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 110 — beatmatch without a big tempo pull.

#Track

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 110 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track