幸せになってね
30s preview
- Key
- 9B · G major
- BPM
- 114
- Open Key
- 2d
- Energy
- 61/100
- Pop
- 0/100
- Length
- 3:20
- Released
- 2025
- Album
- まだ、考え中
- Genre
- Vocaloid
- Loudness
- -8.1 dB
- Dynamics
- 12.8 dB
- ISRC
- JP92W2502963
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- 聖人君子でありたい (feat. 重音テト)original6B · 174
- かみさまべにうめをせにさかせたる (feat. 重音テト)original10A · 73
- 散財讃歌 (feat. 重音テト)original4A · 138
- 命短し恋せよキメラ (feat. 重音テト)original4A · 168
- ドレスコード (feat. 初音ミク&重音テト)original3B · 132
- だめにんげんだ! (feat. 重音テト)original11B · 90
At 114 BPM in G major (9B), 幸せになってね is a mid-tempo vocaloid production. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). More underground than 99% of Nobserv's catalogue. In a set it works best as a mid-set roller.
- Groove:
- less groove-driven than 98% of Nobserv's catalogue
- Low end:
- more bass-heavy than 97% of Nobserv's catalogue
- Brightness:
- darker than 95% of Nobserv's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is 幸せになってね in?
幸せになってね by Nobserv is in G major, or 9B on the Camelot wheel.
What BPM is 幸せになってね?
幸せになってね runs at 114 BPM, a mid-tempo track.
What mixes well with 幸せになってね?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is 幸せになってね good for peak time?
With energy 61 out of 100 at 114 BPM, it works best as a mid-set roller.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 114 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 107-121 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 114 — beatmatch without a big tempo pull.
More vocaloid
More from Nobserv
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 114 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
