ゼロから生まれゼロへと還る
30s preview
- BPM
- 120
- Open Key
- 3m
- Energy
- 54/100
- Pop
- 1/100
- Length
- 3:37
- Released
- 2025
- Album
- 自然の篩
- Genre
- Vocaloid
- Loudness
- -8.6 dB
- Dynamics
- 14.0 dB
- ISRC
- JPW462594361
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- 聖人君子でありたい (feat. 重音テト)original6B · 174
- かみさまべにうめをせにさかせたる (feat. 重音テト)original10A · 73
- 散財讃歌 (feat. 重音テト)original4A · 138
- 命短し恋せよキメラ (feat. 重音テト)original4A · 168
- ドレスコード (feat. 初音ミク&重音テト)original3B · 132
- だめにんげんだ! (feat. 重音テト)original11B · 90
ゼロから生まれゼロへと還る runs 120 BPM in B minor (10A), a club-tempo vocaloid record. The feel is bright and easy. It is vocal-led. The master keeps unusual dynamic range for club music (crest 14 dB). More treble-tilted than 89% of Nobserv's catalogue. For programming, treat it as a mid-set roller.
- Energy:
- calmer than 84% of Nobserv's catalogue
- Reach:
- more underground than 78% of Nobserv's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is ゼロから生まれゼロへと還る in?
ゼロから生まれゼロへと還る by Nobserv is in B minor, or 10A on the Camelot wheel.
What BPM is ゼロから生まれゼロへと還る?
ゼロから生まれゼロへと還る runs at 120 BPM, a club-tempo track.
What mixes well with ゼロから生まれゼロへと還る?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is ゼロから生まれゼロへと還る good for peak time?
With energy 54 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 120 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More vocaloid
More from Nobserv
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
