運が悪けりゃまた来世 (feat. 重音テト) by Nobserv cover art

運が悪けりゃまた来世 (feat. 重音テト)

Nobserv

Key
10A · B minor
BPM
106
Open Key
3m
Energy
84/100
Pop
2/100
Length
3:19
Released
2018
Album
10年
Genre
Vocaloid
Loudness
-2.2 dB
ISRC
QZFZ22318934

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A mid-tempo vocaloid cut, 運が悪けりゃまた来世 (feat. 重音テト) sits in B minor (10A) at 106 BPM. The feel is punchy, neutral in mood. It is vocal-led. The master is loud and heavily compressed. A 2018 production that still circulates in sets. Slower than 82% of Nobserv's catalogue. In a set it works best as a mid-set roller.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy84
Mood51Balanced
Groove57
Acoustic26
Instrumental0
Live12
Speech4

Frequency spectrum

amplitude · bass → treble

FAQ

What key is 運が悪けりゃまた来世 (feat. 重音テト) in?

運が悪けりゃまた来世 (feat. 重音テト) by Nobserv is in B minor, or 10A on the Camelot wheel.

What BPM is 運が悪けりゃまた来世 (feat. 重音テト)?

運が悪けりゃまた来世 (feat. 重音テト) runs at 106 BPM, a mid-tempo track.

What mixes well with 運が悪けりゃまた来世 (feat. 重音テト)?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is 運が悪けりゃまた来世 (feat. 重音テト) good for peak time?

With energy 84 out of 100 at 106 BPM, it works best as a mid-set roller.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

#Track

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 106 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 100-112 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 106 — beatmatch without a big tempo pull.

#Track

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 106 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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