おとなになりたい (feat. 重音テト)
30s preview
- BPM
- 110
- Open Key
- 10d
- Energy
- 95/100
- Pop
- 4/100
- Length
- 2:14
- Released
- 2014
- Album
- クレイジー・ソルトロック
- Genre
- Vocaloid
- Loudness
- -2.6 dB
- Dynamics
- 9.7 dB
- ISRC
- QZFZ22317248
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- 聖人君子でありたい (feat. 重音テト)original6B · 174
- かみさまべにうめをせにさかせたる (feat. 重音テト)original10A · 73
- 散財讃歌 (feat. 重音テト)original4A · 138
- 命短し恋せよキメラ (feat. 重音テト)original4A · 168
- ドレスコード (feat. 初音ミク&重音テト)original3B · 132
- だめにんげんだ! (feat. 重音テト)original11B · 90
おとなになりたい (feat. 重音テト): mid-tempo vocaloid, E♭ major (5B), 110 BPM. Tonally it lands bright and euphoric. It is vocal-led. The master is loud and heavily compressed. A 2014 production that still circulates in sets. Hotter than 87% of Nobserv's catalogue. For programming, treat it as a mid-set roller.
- Tempo:
- slower than 80% of Nobserv's catalogue
- Brightness:
- brighter than 78% of Nobserv's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is おとなになりたい (feat. 重音テト) in?
おとなになりたい (feat. 重音テト) by Nobserv is in E♭ major, or 5B on the Camelot wheel.
What BPM is おとなになりたい (feat. 重音テト)?
おとなになりたい (feat. 重音テト) runs at 110 BPM, a mid-tempo track.
What mixes well with おとなになりたい (feat. 重音テト)?
From 5B it blends harmonically with 6B, 5A, 4B. Moving to 6B lifts the energy a step.
Is おとなになりたい (feat. 重音テト) good for peak time?
With energy 95 out of 100 at 110 BPM, it works best as a mid-set roller.
Mixes harmonically
5B → 4B · 6B · 5AFrom 5B, 6B (B♭ major) lifts the energy a step; 5A (C minor) settles into the relative minor; 4B (A♭ major) cools the energy down a step.
How to mix it
In 5B at 110 BPM: 6B (B♭ major) — move to 6B to push the floor harder; 5A (C minor) — switch to 5A for a mood change without losing the groove; 4B (A♭ major) — drop to 4B to bring the room down gently.
Pitch range at ±6%: 103-117 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12B rather than 5B; below -5% it reads as 10B. With key lock on, it stays 5B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 110 — beatmatch without a big tempo pull.
More vocaloid
More from Nobserv
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 110 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
