Why
30s preview
- Key
- 9B · G major
- BPM
- 121
- Open Key
- 2d
- Energy
- 37/100
- Pop
- 3/100
- Length
- 6:09
- Released
- 2009
- Album
- First Time
- Genre
- Deep House
- Label
- Underground Quality
- Loudness
- -18.6 dB
- Dynamics
- 17.4 dB
- ISRC
- QM4TW2220301
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo deep house cut, Why sits in G major (9B) at 121 BPM. The feel is brooding and low-slung. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 17 dB). A 2009 production that still circulates in sets. Darker than 85% of Nina Kraviz's catalogue. In a set it works best as a warm-up or breakdown cut.
- Energy:
- calmer than 81% of Nina Kraviz's catalogue
- Tempo:
- slower than 78% of Nina Kraviz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 43%
- Low
- 30-130 Hz
- 25%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Why in?
Why by Nina Kraviz is in G major, or 9B on the Camelot wheel.
What BPM is Why?
Why runs at 121 BPM, a club-tempo track.
What mixes well with Why?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Why good for peak time?
With energy 37 out of 100 at 121 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 121 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 114-128 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 121 — beatmatch without a big tempo pull.
More deep house
More from Nina Kraviz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 121 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
